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30 years since the death of Freddie Mercury, that force of nature | He was one of the greatest “frontmen” of rock.

First came the news of his illness, and that already meant an international earthquake. The next day, what made world headlines spelled the end of an era: the November 24, 1991, just hours after confirming rumors that he had hiv, Freddie Mercury died at his Kensington home. With him he went one of the most formidable frontmen that had the history of rock and another period record was also evident, the stigma which at the time meant a disease that not long after would cease to be an inevitable condemnation. Derogatory terms like “pink plague”, prejudices exacerbated by British tabloids, made the singer, pianist and songwriter want hide whatever the reasons for his removal from the scene. Just him, who demolished all kinds of prejudices. Just him, owner of a power with which he seemed to be able to destroy everything.

Born on September 5, 1946 in Zanzibar, Farrokh Bulsara became an enigma. Despite his biographical lapses, Bohemian Rhapsody, the movie directed by Bryan singer In 2018, it served to shed some light, but even so there will always be dark areas, far beyond their love choices. Therefore, it will always be better to focus on what made Mercury a unique figure. That kid self-conscious about his teeth who became force of nature, he reinvented himself, he was the undeniable engine of a band that did not lack pistons but had in him a creative ideologue, so stubborn as to defend projects that could sound like delirium, often tyrannical.

Freddie was born to be a star. Freddie had the talent to do it.

The future of Queen in its ten years of pure magic, from 1970 to 1980, from What in to The Game, shocks to amazement. It was very helpful to have four composers and there was no lack of friction, but of those frictions –The Police He also knew it well – a beast that always bet on more was fed. To recall another recently disappeared figure, it was Mick Rock who showed the singer a picture of Marlene dietrich. And although a Brian May, John Deacon and Roger Taylor It seemed like an overly pretentious way to show a group whose first album had sold modestly, Fred’s insistence resulted in an iconic cover and later the video for “Bohemian Rhapsody”: one of the songs with the most radio reproductions in history, an absolute madness out of the singer’s mind.

Freddie didn’t consider himself a great pianist, but he was. Yes it was known exceptional vocalist, so much so as not to take care of tobacco consumption and sing with glasses of beer on the piano. He knew how to defend his songs and accept and enrich those of his companions. He designed logos and costumes, knew the musical values ​​of his band but was willing to play anything to conquer the world with it.

He conquered it. Not only for records like A Night at the Opera, A Day at the Races, News of the World or the same The Game, when his fascination with dance clubs led him to insist on a radical change in sound: between that and the bass line of “Another One Bites the Dust” -thanks Deacon- Queen blew up the ’80s … to crash head-on shortly after with the least disappointing Hot Space.

But even after that misstep, he at least left the huge duet with David Bowie on “Under Pressure”, Mercury and his teammates managed to reinvent themselves, to raise their marksmanship again. And the ’80s, in addition, brought the world exhibition of the other argument of his conquest. Reach out to see the presentation of Live Aid, or any show from that time, or the same, blurred images of the 1981 Vélez. Like very few – perhaps like no one -, Freddie was able to fit 80 thousand people in one fist, handle them as a cool puppeteer. If your life was stormy, when I stepped on the stage everything was diluted; he knew everything, he understood everything, he became the owner of the circus, the clowns, the lions, the jumping seals and, of course, the audience.

As it happens to Argentine rock with Federico Moura, there is a great bitterness in that the medicine did not come in time to save him, that living with the hiv was only possible a few years later. The exercise of trying to imagine him today at 75 does not help much, his own chameleonism makes him idle. Strictly speaking, it could be anything. What matters is what it was, what makes this November 24 the memories multiply, the videos on the networks, the songs resounding. A hurricane with or without whiskers. An enlightened composer, a superb performer. The type that even today, in each nostalgic reappearance, has a world in his fist again.

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TAMMY SEWELL

Tammy Sewell is our Writer and Social at OICanadian.com. Tammy loves sports, she writes our celebrities news. She spends time browsing through several celebs news sources as well the Instagram. Email: Tammy@oicanadian.com Phone: +1 513-209-1700

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