David Ayer is back to talk about the film’s initial editing, but is this process of re-evaluating a project destroyed by critics really worth it?
Suicide Squad – a DC superhero feature film that has already been largely forgotten by international critics: the work David Eyre (Fury, Bright), despite being very well received by the public, it was completely destroyed by journalists, who highlighted the numerous shortcomings of a project with untapped potential that certainly deserved more. Rolling Stone’s Worst Movie of 2016, but even though it’s been 7 years since its release, it still has a lot to say given the tragic backstory that gradually emerges over time. As Iyer himself said, Suicide Squad what he saw in cinemas did not correspond to his design vision at all, and that is why the director Suicide Squad, Ayer version he would like to show audiences his original idea without many of the changes made by Warner Bros. Despite the renewed interest in comic book movies, can a new version of the film really make a difference or is it a dud from the start?
Suicide Squad, World Bank manipulation, and the Joker aside
Let’s start from the very beginning, that is, with the perception that the public had after watching it. Suicide Squad. If you watch the film carefully, several curious details emerge that implicitly suggest possible manipulation on the part of Warner Bros. At first glance we understand that although Harley Quinn (a figure we recently analyzed here) e Kill shot (Will Smith) are perhaps best characterized, it is clear that something is missing backgroundit is also obvious that the role Joker (Jared Leto) is too minor, which actually offers a clear conclusion to his storyline. The end result is a fast-paced, frantically paced mess, with editing apparently more focused on the action rather than the anti-heroes, who are in some cases secondary to the mise-en-scène. If we add to all these elements various statements by Ayer on this matter, then it is not difficult to understand that the version we saw is very far from the true one. concept author’s initial.
Precedent: Zack Snyder’s Justice League
David Ayer, however, is not the only one to suffer from this severe handicap: even Zack Snyder, who until a few years ago was the artistic director of the entire DC world, saw his latest superhero work, Justice League, completely reworked by Joss. Whedon after leaving the project due to a serious family loss. With a crowd of fans chanting #ReleasetheSnyderCut, the director finally saw his feature film version released in 2021 after Warner Bros. approved additional surveys for construction Zack Snyder’s Justice League. Thus, an important precedent was implicitly set, and the Suicide Squad filmmaker, faced with the announcement of the restoration of Justice League, immediately rolled up his sleeves, launching a personal social campaign. The first steps were to show a moving image of the Joker, with a choppy message that left little to the imagination, and an excerpt from the film’s script, always dedicated to the Criminal Clown.
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Ayer Cut, increasingly in demand
And here too the birth of the hashtag #ReleasetheAyerCut which over the past three years has been accompanied by constant updates from the director, who, in a very smart and at the same time liberating way, shared details of Suicide Squad that never saw the light of day, some concept alternate characters, deleted scenes, and some unpublished images. A film within a film that still remains hidden, even as the public increasingly supports David Ayer’s cause. In recent months, however, the world of D.C. has undergone radical changes. James Gunn and Peter Safran, who became the company’s new co-CEOs. This new direction of the company’s activity can truly become fertile ground where Suicide Squad, Ayer version perhaps he has the opportunity to grow without fear of any consequences. Gunn’s content and thematic revolution, in fact, can also take place through the relaunch of an unfairly oppressed and changed product.
Returns that risk going unnoticed
Thus, we come to one of the latest official news on this issue, namely:recent meeting between David Ayer and James Gunn. The latter would essentially reassure the filmmaker that the time has come to finally share the lost film by demonstrating some interest in the project. However, although there seems to be very little time left until the official announcement of the Ayer Cut, there is a detail that should not be underestimated. Are we really sure that a return to the big screen can truly be welcomed with enthusiasm? Surely the most passionate fans will have nothing to say, but the rest of the public may not give this release much weight, considering that it has been 7 years since the film was released in theaters. A feature film that therefore risks going unnoticed, also because it belongs to the old philosophy of superheroes, which the new DC is trying to destroy with great difficulty. While this product could perhaps be classified under the non-canon Elseworlds section, it is still a title that is a far cry from other products we will see in the coming years.
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Artistic truth, regardless of results
In conclusion, what is the most important value a film can deliver, economic results aside? First, the possible release cinematic In itself, in this new restored version, it will represent a success on all fronts, as it will demonstrate that the public once again has very strong decision-making power in their hands, which transcends any design choice of the company. Beyond this, David Ayer can finally achieve some kind of artistic redemption by showing the world his personal truth, beyond any possible judgment of a feature film. The author would essentially be able to free himself from this terrible and frightening obsession and finally move on, writing a new chapter in his film career. Moreover, in a broader and more universal sense, the release of the Ayer Cut may demonstrate that artists can powerfully reclaim their individuality by defeating a system that often exploits them without recognizing their voices.