Anya Taylor-Joy witnessed one of the most painful exorcisms in cinema history – Film News

This scene is erected as a monument to cruelty and tension that overcomes the limits of the viewer’s resistance. Join us in this disturbing ritual, which is placed among the most subtle and painful things on a large panel.

After the difficult situation of Thomasin (Anya Taylor-Joy), left in front of her family and forced to absentmindedly watch descriptions of everything she knows and loves, Bruja serve as a surprisingly familiar metaphor for the price that must be paid when a patriarchal society tries to force a young girl to accept a lifestyle and religious thought that blames women for all the ills of the world.including violent or unclean acts by a man.

Many scenes were used to embody the inner energy of Robert Eggers’ large-scale religious terror and its powerful ability to deeply disturb (such as the unsettling presence of the famous Black Philip), but There is a particular scene that captures the anguish, despair and pain of this gripping reenactment set in 1630 New England.

It’s a painful scene of posturing and exorcism in “Bruh.”

Caleb (Harvey Scrimshaw) is the second mayor and he’s worried about being judged after his little brother disappears. The Puritans firmly believed in predestination, the predestination of salvation for some and hell for others. During a trip to the forest with Thomasin, Caleb leaves his wife and wife in the dark, returning home a day later naked, feverish and completely unsightly. Arriving on vacation and although there are plans to seek help in the most sought-after city, Caleb disappeared.

The family returns to Rededor Caleb, who continues to suffer under the onslaught of the evil Brujah. And it is here that the feelings expressed by the entire family, including devoted patriarch William (Ralph Ineson) and his dutiful wife Catherine (Kate Dickie), come to the surface. It’s a serene yet grand moment; This is where dark fears are confirmed, and the end most often comes to those who remain in the room.

Caleb lies in his room, whispering and convulsing in pain. If you close your mouth with force to rip out the podrida manzana and lie inert. In the same time, Mercy (Ellie Granger) and Jonas (Lucas Dawson) it is impossible to write down the prayer that the father demands to be said in the form of an exorcism to free the child from such pain and relief, both physical and spiritual. A little later, when Tomasin is accused of brujeria by the smallest people, Caleb’s tone changes and is now straight to Jesus, joyfully inquiring of his God, who accepted him with open arms.

Caleb ends his monologue and returns to bed. Painful breathing becomes shallow and stops. Katherine leaves as the twins sit silently next to her. If he returned to Thomasin and told her he was leaving, he would accept his complicity in the terrible actions.

Director Lighthouse th Man of the North develops the perfect sequence, carefully tracing the emotions and sense of horror and loss through words and images. This scene, which propels the guide forward with some great acting, unsettling visuals and brilliant action sequences, serves as a great representation of why the film is such a big success in its context.