beautiful italian official trailer of fantasy horror from August 24 in cinema

Among the upcoming films, there are wolfkinsamazing horror fantasy come from little Luxembourg who will come at the cinema on August 24 thanks to a distribution company specializing in quality cinema, Satin filmhere with label Satin Noir. We’ve said several times that judging a movie by its trailer is like choosing a book by its cover, but in this case, the imagery and atmosphere are so impressive that expectations are clearly high. So here it is Wolfkin official Italian trailer.

Teen Wolf: the plot of the film, returning the myth of the werewolf to the cinema

wolfkinsdirector’s film Jacques Molitor, as the name implies (the wolf line), brings back to cinema one of our favorite mythological characters, namely the werewolf or werewolf. This time the action takes place in Europe, in the region of the Moselle, the river that crosses France, Luxembourg and Germany, regions not alien to the popular belief about the group of loops. Many of the topics covered in “Wolf” by the director, who also in the previous feature film Mammedjongdedicated to the relationship between mother and son. Here is the plot wolfkins:

“Elaine is a single mother who struggles daily to balance her busy work schedule and raising her son Martin. The boy misses his father, who abandoned him before he was born, and one day, all of a sudden, Martin begins to show strange and uncontrollable, incomprehensible behavior. even for Elaine’s mother, with whom she has a very strong bond. The situation escalates when a boy brutally bites one of his classmates, and Elaine, in desperation and looking for help and explanation, decides to go to her paternal grandparents, important Moselle vintners. Elaine and Martin are warmly welcomed to the luxurious mansion, and both are initially fascinated by the aura of luxurious mystery that hovers over the estate. But the true nature of the family will soon be revealed, and Elaine realizes that the fate of this elegant but unknown family includes her son. How far can she go for Martin’s good, will she be willing to accept his suffering “normality” or welcome his nature?