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Bergman’s Island | Top reviews, reviews and ratings

Mia Hansen-Løve started her acting career in movies End of August, beginning of September Y Les Destinées sentimental, under the direction of Olivier Assayas. Later, after making several short films, Hansen-Løve made her directorial debut at the young age of 26 with the feature film All is forgiven (2007), which was presented in the Cannes Film Festival in the section “Quinzaine des Réalisateurs“and was nominated for Cesar Awards as Best First Film.

We recommend you read: REVIEW: Bergman’s Island | The destination that all moviegoers want to visit

In 2009, Hansen-Løve again Cannes To present Le père de mes enfants, with which he won the Special Jury Prize in the section “A Certian Regard“. The success of the filmmaker continues in the following years with titles such as An amour de jeunesse (2011), Eden (2014) and El Porvenir – 100% (2016), tape with which he obtained the Silver Bear as Best Direction in the Berlinale. In 2021, the director released her most recent film, Bergman’s Island – 73%, which was part of the Official Selection of Cannes of that year.

The script of Bergman’s Island, written by Hansen-Løve, addresses the story of a couple of American filmmakers who retire to write scripts for their upcoming films on an island that inspired legendary director Ingmar Bergman. But soon the lines between reality and fiction begin to blur. The cast of the film is headed by Vicky Krieps (Old – 55%, Beckett – 70%) Tim Roth (Sundown – 92%, Shang-Chi and the legend of the ten rings – 95%), Mia Wasikowska (The Devil at All Hours – 65%, The Scarlet Peak – 71%) and Anders Danielsen Lie (Oslo, August 31st – 98%, The Worst Person in the World – 95%).

Also read: What directors of your time did Ingmar Bergman admire and hate?

Most of the reviews have been favorable for Bergman’s Island. The reviews highlight the impressive job Wasikowska does in portraying her character and getting the audience excited. It is said that the actress has a remarkable ability to suffer on screen and convey her feelings to the audience. Krieps also receives praise for playing a more mature character, who could well be an alter ego to the Hansen-Løve of today. According to critics, this film manages to be an admirable portrait that uses metafiction to capture the relationship between the author and her work, as well as to delve into her creative process.

Journalists consider this to be one of the best films in Hansen-Løve’s filmography, who emphasize that he does a wonderful job with which he manages to impress and move from the endearing relationship of his characters and the environment where the film takes place. history. The rustic, delicate and dreamy visual style to which the director has accustomed us is highlighted. The specialists credit the splendid and impeccable cinematography work by Denis Lenoir, a regular collaborator of the director.

The press applauds the fact that the director introduces the importance that Ingmar Bergman has in the lives of many directors and screenwriters. On the other hand, it is considered a success that addresses the meaning of female art and the displacement of women in film direction. Critics claim that Bergman’s Island is a precious adult gem about writer’s block, as well as an interesting express tour of Bergman’s cinema and the influence this Swedish director left on film.

Here’s more of what the reviews say about Bergman’s Island:

You might be interested: Ingmar Bergman’s Tips for Young Filmmakers

Martin Rodriguez from Blessed spoiler:

‘Bergman’s Island’ perfectly portrays the encounter between an author and his work. Just like the legendary Ingmar Bergman, Chris manages to find both the outcome of her film and herself. This is how Fårö sells itself to the viewer as the perfect place for some personal unlocking. It worked sixty years ago, how can it not work today.

Sara Martinez Ruiz from Espinof:

In the form of metalinguistic entertainment, which in some way reminds the Hong SangSoo from ‘In another country’, the French Mia Hansen-Love introduces us to this creative process in which she shows the possibilities of fitting together and rearranging the pieces of a story.

Maximiliano Nuñez from Cinéfiloz:

Hansen-Løve does a wonderful job of directing, with a rustic and peaceful style with which we are already accustomed. Roth and Krieps share many scenes together that evoke a lot from Bergman’s filmography, but their performances are, like their characters, very real and natural.

Mariona borrull zapata from The Penultimate Mohicans:

Bergman Island vibrates in silence, so it loses steam when, during the second half of the film, reality and fiction begin to intermingle, to talk loudly.

Roberto Madrigal from Cubaencuentro:

Between the clumsiness of the script and the poverty of the dialogues, excellent actors like Tim Roth and Vicky Krieps, in the roles of Tony and Chris respectively, cannot bring the characters to life and sometimes seem to be involved in bad improvisation. They seem uncomfortable in their roles.

Juan Antonio Hidalgo placeholder image from The Happy Phantom:

The problem is that neither party is strong enough. It gives the feeling that Hansen-Løve, once fed up with the Bergman affair, is left with nothing more to tell, and adds a different story to the one that only has to change the location so that everything fits with the first part.

Ramon Rey from Cursed Cinema:

Hansen-Løve begins by proposing a story that could evoke his own personal life by identifying the representation of his characters. The film spends many minutes developing the couple’s ambiguities, as if it were a “Bergmanian” psychodrama.

Christiaan Lecarnaqué Linares from The pirate:

Bergman’s Island can be seen as a tribute to Ingmar Bergman or also as a way to approach the problem of the writer and his inspiration.

Carlos Martinez from The Diacritic:

Two stories that are mixed and that exchange time space to immerse ourselves in a film that moves sinuous and smooth throughout the entire footage.

Carlos Losilla from Alligator:

… the apparently realistic universe, in the most French sense, of Hansen-Love’s cinema disintegrates and penetrates decisively into the fantastic. In any case, this is a very remarkable movie …

Do not miss: Ingmar Bergman: his best films according to critics

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HELEN HERNANDEZ

Helen Hernandez is our best writer. Helen writes about social news and celebrity gossip. She loves watching movies since childhood. Email: Helen@oicanadian.com Phone : +1 281-333-2229

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