continuation of two chapters of moral panic, dead club city is the fifth album by nothing but thievesEnglish band from Southend-on-Sea that has achieved decent commercial success and millionaire airplay (1.2 million albums sold worldwide, 2 billion streams and 250 million video views).
This time the guys composed an ambitious concept “On the contradictions of our society”, but don’t expect Wall, quadrophenia Or a double album along the lines of the albums produced in the 70s. What we hear is the usual collection of radio friendly songs by a band that the general press insists on defining rock but that turns out to be nothing more than a pop hybrid, albeit electronic and melancholic is intended (welcome to dcc) that comes from the mainstream (see). keep around Billie Eilish territory) to return worthy hits in which guitars are muffled, filtered by electronics (think about it) tells) and they certainly aren’t heroes.
“This album has a little disco, a little soul and a lot of rhythm,” frontman Connor Mason guarantees. And overcomeOne of the singles, is symbolic: it is meant to demonstrate what kind of artistic options she has. Arcade Fire They should have acted earlier to clear this project on a large scale. Will it be worth it?
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