John Romita Sr., cartoonist of “The Amazing-Spiderman”, was “father” of Captain America, Hulk and other Marvel superheroes, dead

After Stan Lee, another miraculous legend left. american designer John Romita Sr.The American comic legend who lent his name to Marvel Comics in the publishing house’s heyday, which renewed Stan Lee’s Spider-Man, has died. 93 years old, His son had given the news on social media John Romita Jr.., also a successful cartoonist, explained that his father had disappeared in his sleep on Monday, 12 June.

son’s last goodbye

John Romita Sr. wrote, “I say this with a heavy heart, my father passed away peacefully in his sleep.” “He is a legend in the art world and it would be an honor for me to follow in his footsteps. He was the greatest man I have ever known.”

one of the fathers of marvel

In the 1960s, the revered comic artist participated in a renewed epic of Marvel superheroes, tackling graphic innuendos of characters such as Satancaptain America, Fantastic Four And the Avengers, Romita Sr. was then the architect of The Amazing Spider-Man, with Stan Lee on the texts, the first series devoted entirely to Spider-Man: for this long series she created characters such as Mary Jane Watson and Boss’s love interest. of crime kingpin, His name is also associated with the creation of Wolverine, who appeared in The Incredible Hulk stories.

was one of the creators of PunisherConsidered the most violent of the Marvel heroes: Frank Castle (born Francis Castiglione), a guerrilla who wages a brutal personal war against any criminal in the world, was created with Gerry Conway (text) and Ross Andrew (art) Handjob for published on first time the amazing Spider Man Since 1974. He was inducted into the Will Eisner Comic Book Hall of Fame in 2002.


His official debut was The Drawing Crime and Horror Comics Atlas, future miracle. He later also deals with westerns and creates several Captain America stories.

In 1957 he moved to the national, future DC Comics, working top-of-the-line in romance stories, and in 1965 he returned to Marvel, inking The Avengers (Avengers in Italy, ed.) and Devil May Care Penciled the devil before doing it. Spider-Man, radically renewing it and changing it a lot compared to the classic version steve ditko,

In fact, in 1966, Romita Sr. began his five-year adventure working for Stan Lee as Marvel editor-in-chief on “The Amazing Spider-Man.” It was during Romita’s time as an artist that Spider-Man surpassed The Fantastic Four to become Marvel’s best-selling comic, with Spider-Man becoming the face of the company.

In 1972, Romita became Marvel’s unofficial art director, a role that was formalized a year later. He trainedRomita’s Raiders», retouching or replacing pages deemed unusable by in-house artists, often without credit. Thus he oversees courses for young designers, designs new Marvel characters, coordinates the creation of all covers for the publishing house, and takes care of some special projects. It is during this period that he contributes to the design of characters such as luke cageThe Punisher (Il Punitore in the Italian version) and Wolverine.

After becoming Marvel’s artistic director in the early seventies, Romita slowed down his comics production, although he drew daily strips of Spider-Man from as early as 1977.

He served as Marvel’s art director for more than two decades, completing artwork for several titles including the cover of 1987’s The Amazing Spider-Man Annual No. 21, which featured Spider-Man’s alter-ego Peter Parker and Mary Jane finally tied the knot.

more than a designer

Born January 24, 1930, to a baker in the Brooklyn neighborhood of New York Italian AmericanVictor Romita, John Romita Sr. graduated from the Manhattan School of Industrial Art in 1947, then served in the US Army and began working in the comics world at the age of 19, collaborating with “Famous Funnies”.

Romita often spoke with regret in interviews must not have been born before, as he may have been part of the first generation of comic book writers and artists. However, he took pride in building on what others had done. He said in 2002, “No matter how successful I’ve been, I’ve always seen myself as someone who can improve upon someone else’s concepts.” “A writer and other artists can make something, and I can make it better.”

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