Kim Petras – Feed The Beast :: Ondarock Reviews

And here is a cool summer StreamingCore essay for you, prepared for the recently concluded Pride Month (what is StreamingCore, please see this review). On the other hand, the market share is much bigger than one might imagine, the musicians have no wealth Weird Which go beyond their own reference area, to the extent that people who have achieved a certain notoriety try to maintain it as long as possible. Of course, Kim Petras has tried literally everything to get to this notoriety: a series of singles with neon covers (still her brightest and most personal moments), a semi-undiscovered debut album, a mixtape Halloween-themed horror-synth songs, a new album then canceled entirely after it leaked onto the net, and finally an episode of insane porn-pop tunes. Direction? Not even a shadow. Disappointment? Very. Its namesake featured Sam Smith’s “Unholy”. pop star

The alternative aired outside the LGBTQ circuit and reached the audience they had always dreamed of. Labeled as her first official album, “Feed the Beast” will be an attempt to consolidate this unexpected stroke of luck, an opportunity for Petras’ voice to find the space it deserves. Goal Attainment? We are sad to see that we are again in the same situation.

In the album’s forty minutes all the flaws found in the management of Petras’ career are compiled and magnified to the nth degree, a concentration of errors that just needed a pinch of composure to explode. And it explodes, yes it does: if previously complained about the complete absence of a constructive center of gravity, the satiated animal amplifies such a void by jumping hither and thither without any criteria, making itself more Try to keep as many playlists in as many places as possible. Do you want to hang out with someone funny at the beach? “coconut”, real gay meme

, comes to our rescue, with its bubbly funky aura and a highly engineered chorus to sweep away any resistance. Are you looking for more candid moments? “Sex Talk” and “Hit It From the Back” are appropriate, even though they lack the rigor of “Slut Pop” on the one hand and a productive territory that goes beyond the usualof “hyperpop for the masses” on the other. And it definitely doesn’t end there. ready to jump trend Barbara’s karaoke-ization Of the classics of the Eurodance scene, “Alone” reprises “Better Off Alone” by Alice DJ (don’t even try to change the title) and gives us a vulnerable appearance by Nicki Minaj, who recently did a similar A true master of difficulties. Plagiarism under the guise of “King of Hearts” such as at the time of Ava Max (see treatment of vocal line) prompts the desire to close shop and puppets.

and to say that a French-touch trajectory, found in the watermark of “Uho” (the treatment of Beat in the Stardust range) and “Revelation” (as a suitably strong and electrified Agnes) could have been an interesting path to follow. “The Future Starts Now” might have been criminally left out of the lineup, creating a center on which to expand into a more solid and coherent album. Also thanks to the unusual number of people called to work on it (the controversial Dr. Luke is still in the role of godfather), the album never makes a single decision, on the other hand trying every available card without success. Let’s try Even if you don’t expect a revolutionary product, waste resources on monotonous collaborations in the air of hip-hop (“In the Company of Banks” Bat) or sixteenth note synthwave articulation (“Minutes”) Doing says a lot about how stylistically and quantitatively, the least common denominator has never been discovered. Times are very volatile and in an era that relies on the TikTok algorithm to find new hits, no one knows what the future holds for Kim Petras. It is certain that the four aces dropped in “Feed the Beast” with “Unholy” were completely wasted.

03/07/2023