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Lucía Zicos conducts the Juan de Dios Filiberto Orchestra at the Kirchner Cultural Center | They will do works by Astor Piazzolla and Ariel Ramírez

The National Orchestra of Argentine Music Juan de Dios Filiberto returns to perform with its full line-up. The Wednesday at 20, in the National Auditorium of the Kirchner Cultural Center, the formation created in 1931 will offer a program with works by Astor Piazzolla and Ariel Ramírez, with the participation of Witch Salguero and Guillermo Fernández as guest singers, the orchestral arrangements of Cristian Zarate -who will also act as a pianist-, and the direction of Lucía Zicos. Free tickets can be managed through the page cck.gob.ar.

Piazzolla and Ramírez, whose birth centenary is commemorated this year, are two endearing names for Argentine music. Each one from their place and with their own style, they represent renovating stages of the traditions of tango and folklore and today they fully fall into the category of Argentine classics. “Piazzolla and Ramírez are composers who have remained over time, who are in the popular imagination and in Argentine culture,” he says. Lucia Zicos in chat with Page 12. The director, one of the most active in our environment, returns to the Filiberto podium with a program that feels very close. “I began to study music based on folklore, I grew up listening to the music of Ariel Ramírez and some of the songs that we are going to do, such as ‘I’ll always return to San Juan’, take me to that stage and touch emotional fibers,” he adds.

“Piazzolla came to me later, when I was already advancing in my training stage. It never ceases to amaze me how his music paved the way for the future and influenced succeeding generations. Piazzolla is very present in the sound of this time, there are many current composers who are inspired by his work ”, continues Zicos. “The anecdote he tells when Nadia Boulanger in Paris, after listening to him play his music, told him to continue down that path is very suggestive. It is impressive how a teacher can mark the life of an artist, and that artist mark the musical identity of a country and of several generations. In this sense, both Piazzolla and Ramírez are great that they outdid themselves and broke new ground”, Assures the director.

From songs like “Alfonsina y el mar”, “Zamba de tú”, “Balada para un loco” and “Chiquilín de Bachín”, in the voice of Salguero, and “Volveré siempre a San Juan”, “Balada para mi death “,” Oblivion “(the sung version, with lyrics by Horacio Ferrer) and” It will be that I’m crying “, by Fernández, the program will compose a rich counterpoint of meanings in which the richness of the composers will be completed with the proven generosity of the performers. “We try to make the selection of works based on Zárate’s arrangements, especially taking into account the quality of the soloists that we have on this occasion. We also thought that it was necessary to propose instrumental songs in which the orchestra could shine on its own, hence ‘Fuga y Mystery’ and ‘Allegro tangabile’ ”, explains Zicos.

With adaptations and new creations, Zárate prepared the arrangements especially for this Filiberto program, an orchestra with its own characteristics. “The Filiberto is an atypical orchestra, without a doubt, but it is the one that best represents the musical variety of our country. It is a very interesting phenomenon from the timbral point of view, because the instruments of a traditional symphonic orchestra are joined by bandoneons, the guitar, and the charango. In addition, there is an awareness of this, to the point that the arrangers are asked to work for the whole organism, that is to say that they always include all the instruments of the orchestra, regardless of whether it is tango or folklore ” , assures the director. “Cristian knows this orchestra very well and he arranged it with specific needs in mind,” adds Zicos.

Panels that separate the instrument sections, distance between the musicians, limited work times. The sanitary protocols mark the dynamics of the rehearsals, but they do not dent the enthusiasm of the orchestra for this return. “It’s weird to rehearse like this, but we are getting used to it. Above all there is a spirit of gratitude for being able to meet, for recovering the moment of communion. Orchestral activity, like all collective activity, needs the other. Much more we conductors, because we do not have our instrument at home ”, continues the director.

Zicos has just recorded two works by the Argentine composer Claudia Montero, which will be released on disk. In March, at the CCK, she directed the Camerata Argentina de Mujeres and was in charge of curating a program of female composers of this time. As the pandemic allows, his professional activity is reconfigured and he hopes that commitments will gradually be reorganized. “I would like to work more with current composers, to be able to record those works, to approach joint work in the creative process, as a work in progress. The time of the pandemic forced us to digital communication, but it leaves us an experience that we can take advantage of in the future, to make the music produced here reach other places “, says the director and concludes:” It is important to stimulate creation of Argentine composers and composers, who are always missing from the programs of traditional orchestras ”.

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TAMMY SEWELL

Tammy Sewell is our Writer and Social at OICanadian.com. Tammy loves sports, she writes our celebrities news. She spends time browsing through several celebs news sources as well the Instagram. Email: Tammy@oicanadian.com Phone: +1 513-209-1700

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