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“Malvinas y el rock”, an essential sample | The resistance of culture in dark times

The laugh from León Gieco The black and white photo goes through and you can see it in the air at the Malvinas Museum. Hannibal Kerpel, in profile, he looks at him in amazement with the grin of a smile. Gustavo Santaolalla, almost from his back, he is playing the guitar. There is another shocking photo: León with Leda Valladares in the Natural Amphitheater of Piedra de los Valles Calchaquíes (Jumps) Tour the sample Malvinas and the Rock, with the temporary exhibition From Ushuaia to La Quiaca, the photographs of Alejandra Palacios, a great visual chronicler of an unprecedented sensitivity that documented the tour designed and carried out by Gieco and Santaolalla between 1981 and 1984, it is like walking through the diverse landscapes of the Argentine provinces hand in hand with local musicians. As if the images of Palacios, curated by Camilo Carbajal, had the ability to transport each of the visitors to 4000 meters high in Iruya, or to make even the most stupid dare to dance a chacarera, as he did. León with Melchora Abalos in Amaicha del Valle (Tucumán).

The impertinent rain changed the opening towards the interior of the Malvinas Museum. Alejandra Palacios, who lives in the United States with her husband, Gustavo Santaolalla, revealed that they took more than 8000 photos on that monumental tour, the vast majority in black and white, in which 450 concerts were held and three albums were recorded. The photos displayed in the exhibition are in black and white. For the photographer, the trip to the Northwest, when they met Leda Valladares, Gerónima Sequeida and Sixto Palavecino, among others, was unforgettable.

Ushuaia is another “very dear” place for Palacios because they were with Violeta Parra’s daughter, Isabel Parra, who sang with León in front of the Beagle Channel “I don’t want war for a piece of land.” In order to take the photos, I had to wait for them to finish recording and filming because “I couldn’t make noises.” “I was not there to take artistic photos, but to record the events of what was happening,” Palacios clarified and confirmed that among his most beloved photos is that of Leda Valladares, in Tilcara, and in the distance you can see a moving car: “Leda gave the message to León and Gustavo, to the rock boys, as if they were the only ones who could really understand what the voltage of the music of the interior was, taken from the roots.” There was one before and one after of that experience for Palacios. “That trip changed my life: I was one person when I entered and another person left.”

Watch the stars

“What is Leon laughing at?” Asked one of the visitors, pointing to “the photo of the laugh.” Palacios replied: “They spent it laughing; It is today that they get together and laugh at each other ”. The Malvinas Museum, directed by the journalist and writer Edgardo Esteban, seeks to build memory and rock “unites peoples and generations.” Malvinas and the Rock It is proposed to make visible the diversity of musical expressions that show that the Malvinas are Argentine. Before and during the war in 1982, Argentine rock spoke about the Malvinas war. The exhibition From Ushuaia to La Quiaca is part of a joint work around rock, promoted by the Secretary of Cultural Heritage in three museums: in addition to the Malvinas, the National Historical Museum and La Manzana de las Luces.

(Image: Leandro Teysseire)

Esteban reported that due to “a little health problem” León could not participate in the inauguration and recalled when in 2000 he accompanied Gieco to Antarctica, “a wonderful experience, with a lot of tension because the armed forces were present, but as León sang, they were letting go, ”explained the director of the Malvinas Museum, author of Lit by fire and Three knocks on the window, among other books. After that recital, still in Antarctica, León asked Esteban: “What can we do?” The proposal came without hesitation: “The only thing we have left is to go see the stars”, Esteban suggested. “But we’re going to freeze to death!” Leon exclaimed with the empirical evidence on his side. Esteban, León and Hugo Soriani, general director of Page 12They bundled up very warmly and the three of them went to see the stars in Antarctica. Gustavo Taranto, who had a satellite phone, called Charly (García), “who never believed (Gieco) that he was seeing the stars in Antarctica.”

“Malvinas has to be the rescue of the collective; the slogan the national government should have is that Malvinas unites us“Said the director of the Museum and referred to a black and white photo of the islands, which can be seen in the exhibition, with the printed legend” coming soon. ” Esteban emphasized “a utopia that I hope will soon come true”: that one day León Gieco and Gustavo Santaolalla sing in the Malvinas Islands, a pending issue, and that Alejandra Palacios take the photos. “Immensity of a love that goes on / Eternity that becomes a song / to stay on the roads / like a balm of the days lived,” Esteban recited a fragment of the song “Where dreams fall”, by Gieco.

Connect youth

The National Director of Museums, Marisa Baldasarre, He pondered the “incredible” photographs of Palacios and “the timeline” Malvinas y el Rock -which is also part of the exhibition- and announced the next activities that will take place in two more museums: Rock Apple, in the Manzana de las Luces, the Sunday, December 12, with a live show of West (at 7:30 p.m.), a formation that explores a conjunction of new sounds mixed with electronics and folk instruments of the world, and the closing with Hilda lizarazu (at 20).

The Saturday, December 18, at the National Historical Museum, will be inaugurated The 80s. Rock in the street, an exhibition on the history of Argentine rock that focuses on one of the most important stages: the decade that began with the Malvinas war and lasted until the early 1990s. the soundtrack of our childhood, the passage from our childhood to our adolescence and our early youth“Baldasarre acknowledged and admitted that one of the objectives is to work with the significant” youths “to connect” those who were young and produced this music, but also fought in the war and militated in the 80’s, with the youth of today ”.

The Minister of Culture of the Nation, Tristan Bauer, reflected on what it means to be in a museum dedicated “to our islands”, where the word sovereignty it has a “very intense” meaning. For Bauer, “the work of León Gieco and Gustavo Santaolalla has to do with the construction of our sovereignty” and he commented that he was impressed to see Leda Valladares portrayed “with Alejandra’s eye”, “an extraordinary woman that I was lucky to meet , a teacher who helped me a lot in my beginnings as a documentary filmmaker and who also built sovereignty “, stated the director of Cortázar, Avoid, a grave without peace, e Lit by fire, Among other films.

The Minister of Culture praised Palacios’ eye and sensitivity. “Alejandra with her camera, with that shutter click, froze time and allows us to reconstruct an essential moment for Argentine culture, that tour from Ushuaia to La Quiaca by two artists and their entire troupe.” Bauer countered Palacios’ humility: “You said that you were not as an artist and that is not true; they are portraits where art and beauty they are very present ”. Then he recalled the recent celebration of Gieco’s 70th birthday at the CCK, with that video they made with Santaolalla “which made us all cry talking about friendship”, and added that León “connects with those who were young and with those who are young people right now ”.

Journey that has just begun

From Ushuaia to La Quiaca It starts from an improvisation and with improvisations you don’t really know what is going to happen. From Ushuaia to La Quiaca It was incredible to have the endorsement of people like Violeta Parra and later Leda Valladares “, confesses León in dialogue with Page 12. “Leda met Violeta in Paris and the two spoke worried about the peasant music that nobody recorded. The way to do something about it was to do From Ushuaia to La Quiaca and amplify those musics in many more ears. If Violeta listened right now From Ushuaia to La Quiaca, I would say: ‘well guys, keep up with this’ “, says” one of the most luminous men in Argentine culture, “as Eduardo Fabregat defined him.

León says that both he and Santaolalla had some disciples, As the Chango Spasiuk, “Making Misiones like a segment from Ushuaia to Quiaca”, and Jose Schuap, current Secretary of Culture of Misiones, who “went out on the bus to play with incredible and unknown artists.” León launches a proposal: “If I were a government, I would send a survey of these unknown, ancestral and delusional musics, as Leda Valladares used to say ”.

(Image: Leandro Teysseire)

That an exhibition with the photos of Palacios has been inaugurated, which documented the tour designed by Gieco and Santaolalla, between 1981 and 1984, “is a sign of what timeless which are the verses and our work ”. León warns that this experience cannot be seen “as something that already was”, but rather prefers to recover what they said each time they closed a chapter From Ushuaia to La Quiaca, requested by Juan Alberto Badía: “It is a journey that has just begun.” León continues his bet: “From Ushuaia to La Quiaca there is a long time; let it remain as a beginning and not an end ”.

During the Malvinas war there was a decree of the civic-military dictatorship that music sung in English was prohibited from playing on the radio. “Some beasts, some idiots, as if the Beatles, the Rolling Stones or Shakespeare had something to do with Malvinas. A real disgust, a disgust. It was useless, only to destroy, as the military does ”, Gieco emphasizes and reviews the history of His two Takamine brand guitars are on display at the Malvinas Museum. Those Japanese guitars, from the year 78, accompanied him for many years.

“Originally they were normal, but I had them filleted by maestro Luis Zorz, a heaviest who filleted microphones, kiosks and bookstores, and always tried to maintain the art of filleted; an art that begins in Europe and ends making friends with the bandoneon, an instrument that is also from Europe, and tango ate both things, “explains León.” Today the filleting is on Corrientes Street and the bandoneon plays tango, it doesn’t play Mozart or Beethoven to accompany the funerals, for which the bandoneon was made. For that and for other things, tango is very popular in the world. And that’s why the director of Ushuaia to the Quiaca, Gustavo Santaolalla, ended up doing Teachers Coffee, the tango film with the oldest exponents of this music that brings them to you ”.

With the end of the rain, the opening continued outside the Malvinas Museum, with an emotional recital by Ligia Piro and Bruno Arias, who interpreted the chacarera “Hermanos de Malvinas”: “the strongest wind hit and the silence was broken when the sky fell with gunpowder and death”. Memory – as Arias sang – is a battlefield.

* The exhibition can be seen visiting on Fridays from 11 a.m. to 5 p.m., Saturdays from 2 p.m. to 7 p.m. and Sundays from 2 p.m. to 6 p.m., with free entry in Santiago de Calzadilla 1301.

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TAMMY SEWELL

Tammy Sewell is our Writer and Social at OICanadian.com. Tammy loves sports, she writes our celebrities news. She spends time browsing through several celebs news sources as well the Instagram. Email: Tammy@oicanadian.com Phone: +1 513-209-1700

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