Entertainment

Movie premieres: Scream, the horror saga that refuses to die returns more self-referential than ever

Scream (USA/2022). Direction: Matt Bettinelli-Olpin, Tyler Gillette. Film script: James Vanderbilt, Guyt Busick. Music: Brian Tyler. Direction of photography: Brett Jutkiewicz. Cast: Neve Campbell, Courteney Cox, David Arquette, Melissa Barrera, Jenna Ortega, Dylan Minnette, Jack Quaid. Distributor: IPU. Duration: 114 minutes. Qualification: Suitable for over 16 years. Our opinion: good

In Hollywood cinema, stories repeat themselves over and over again. And one last? time if there are still possibilities to squeeze something more out of the original concept. Seldom are sequels, prequels, reboots, and other strategies to repackage the familiar tale as interesting as the first attempt. And that’s okay: the goal of most of these films is not to provide novelty but more of the same for those who already know what it is about and find entertainment in repetition. Some of that happens with this new installment of scream, the self-reflective horror saga launched in 1996 from a story written by Kevin Williamson (screenwriter of Dawson’s Creek) and directed by Wes Craven, the successful creator of Nightmare in the deep of the night and its unforgettable villain, Freddy Krueger.

Without Craven, who died in 2015, now the story of the group of teenagers from the small Californian town of Woodsboro, such fans of horror movies that they seem to enjoy being the protagonists of a story full of blood, mutilations and cinephile references, returns to the screen with the same tricks as in its first installments. In this fifth film, the metadiscourse uses the logic of the construction of the script as a narrative resource in itself to reveal the tricks used by the writers of the genre and thus develop the story and comment on the current state of horror cinema. He laughs at it to lighten the weight, to point out the traps of Hollywood and still remain part of the game that the industry poses.

In the first installment, the idea was that the killer used all his knowledge about the rules of horror movies in his favor and against his victims. In the continuation, that was transformed into a reflection on the sequels, the second parts and the need or not for them to exist beyond pecuniary interests. Now, the twist points to the current trend in Hollywood to revive successful and popular movies from other times, but not as new versions or reboots, but using elements and characters from the originals to show that they are part of the legacy of the saga in question. . This is what happens with the last Ghostbusters movie, with Halloween and even in starwarssays one of the characters in this new scream, which recovers the trio of protagonists from the beginning, Neve Campbell, David Arquette and Courteney Cox, to put them back in the skin, bruised, of Sidney, Dewey and Gale.

Intended to be a wink-fest for fans of the saga and to a lesser extent for connoisseurs of horror movies and their fashions and trends, the new story manages to return to the beginning in a neat and time-appropriate way. That implies much more explicit and bloody scenes, a group of friends at the center of the plot that has neither screen time -you have to leave room for veterans-, nor enough grace to interest the viewer -although it does to irritate him -, and a script that strives to show that nothing that is said or seen should be taken too seriously. That is the first rule of the genre.

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HELEN HERNANDEZ

Helen Hernandez is our best writer. Helen writes about social news and celebrity gossip. She loves watching movies since childhood. Email: Helen@oicanadian.com Phone : +1 281-333-2229

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