Natalie Portman CRITICIZES Hollywood for opposing traiser directors or “feminine assholes”

Natalie Portman She is one of the best actresses of all time and an Oscar winner. Melchor Atriz for his iconic paper em “Sisne Negro”thirdly, once again awarded for incredible performance “Jackie”. Now get ready for your reward in advance ‘May December’who shares holographics with another Oscar winner, Julianne Moore.

However, Portman is also very frustrated by her lack of understanding of women in the film industry, especially towards directors.

Talking to Vanity Fair in France

he told Atriz that the concept of “olhar femininity” on canvas is quite “reductionist” and that the gender of the director should not be associated with the film in it.

“Directors must use the same opportunities as directors.”She said. “But the experience of working with a director is limited by individuality and is not gender specific.”

Portman continues: “I would say that the director’s particular point of view reduces the individuality of people and their views. ‘May December’For example, there is a deep understanding of human behavior. As female characters (director Todd Haynes) are complex and multidimensional.”

» Visit also:

Let’s see what the film is for Netflix

I am December 01.

No Brazil, the film will be shown in our cinemas Diamond filmsdate and national name will be published soon.

The story follows Portman as a Hollywood actress who travels to the coast of Maine to study with the real actress (Moore) who is to play her in the film. Moore, for her part, would be the woman who became the victim of a tabloid scandal two decades later by moving into a house 23 years younger than her. As Moore’s character and her husband prepare to send movie stars into the story, the family dynamics must be described from Portman’s character’s point of view.

Todd Haynes

(“Carol”) is responsible for direction.

The wheel is burned Sami Birchstarting with the history created Alex Mechanic.

Will Ferrell AND Jessica Elbaum We are both producers through Gloria Sanchez Productions. Christine Vachon, Pam Koffler, Sophie Mas and Portman also began overseeing the project.