He arrives It premieres on Sky on Sunday, August 6 at 9:15 pm on Sky Cinema Due, streaming NOW and available on demand.film debut musical duet. dStylishly and masterfully directed by Zavvo Nicolosi, a playful and metaphysical journey to discover unparalleled Sicily and a newfound friendship between legends and mysteries, featuring cameos from Madame, Roberto Vecchioni, Brunori Sasa, Erland Hoye and La Comitiva.
Colapesce and Dimartino redesigned Splash. After the introduction of the song San Remo and winner of the Mia Martini Critics Award and Press Center Award, the pair of Sicilian singer-songwriters dived into the magical sea of Italian cinema with Spring of my lifej. Director Zavvo Nicolosi (director of the music video “Musica light”, the feature film is being released on TV Sunday, August 6 at 21:15 on Sky Cinema Due, streaming NOW and on demand. Colapesche and Dimartino are the main characters of the film, the authors of the plot, script and original soundtrack.
After all, in cinema, as in music, the problem is not to feel the weight of expectations. Because life is a game of chance, a game of baccarat. Or, more prosaically, to quote the line from the movie, “a series of taxes, frustrating sexual relationships, and then you die.” So Lorenzo Urciullo, also known as Colapesche, and Antonio Di Martino meet their first big-screen adventure with a roguish attitude and modest wealth. A simple story (Leonardo Shasha) documentbut full of surprises. The duet I metafisici was recreated after the end of their creative partnership. But there is no new musical project at the origins of Reunion. Instead, it’s about crossing Sicily in eight days in a car nicknamed “Lazarus” to tell the most bizarre and amazing legends of the Sicilian region in a book. A job that could bring Antonio and Lorenzo ninety thousand euros without taxes. But the tour will turn into a journey in search of lost time, into a funny lysergic trip, between flowering almond trees and psychoanalytic overtones.
Different Siamese twins, the largest teapot in the world, the weeping statue of Garibaldi are just some of the wonders depicted on Spring of my lifej. On the other hand, Sicily is a place where magical thinking has always found fertile ground. Trinacria is the place of the believable. There is thus room in the film for the mythical Lestrigoni, the anthropophagous giants sung by Homer in the Odyssey, for black ergot bread with hallucinatory effects, and, just as importantly, for Guglielmo Scrotalancia or William Shakespeare, who, according to a bizarre theory, was an Italian playwright born in Messina who emigrated to London to escape the Holy Inquisition. Moreover, the Sicilian region in the imagination of Colapes and Di Martino resembles Texas. based on real stories
David Byrne. In short, to quote John Ford, “we are here in the West, where if the legend becomes reality, the legend wins.” And between “madness” and the vision of the “Triumph of Death”, the majestic fresco housed in the Regional Gallery of the Palazzo Abatellis in Palermo, the wanderings of our knights-errant will be dressed in the colors of myth.
Spring of my life this is not a video clip in the version xxxl, not even a revised and corrected musicarello. For their cinematic debut, the musical duo choose an amazing road movie that captures the surreal, melancholy irony of Colapes and Dimartino’s lyrics. Among the echoes of the cinema of Wim Wenders, Aki Kaurismaki, Alejandraor Jodorowsky. John Landis, Massimo Troisi, as well as the more surreal film jokes of Franco and Ciccio or Renato Pozzetto from Saxophone, the feature film entertains and intrigues. With their “Brechtian” acting, almost complete absence of gestures (then it is not true that all Italians gesticulate), the Sicilian singer-songwriters increase the feeling of alienation, and in the end you begin to believe that King Arthur’s palace is inside Etna. Shot in just 30 days, with photographs that pay homage to the seventies, the film is an anthology of Pun and linguistic witticisms, from albino choir to Speedy Pizzo, from diving nuns to mad siliconist, to runaway lobster, a restaurant where the fish is so fresh it’s just falls off the plate. And it is this eternal insight of jokes, fiction, digressions that makes the cinematic journey enjoyable. The result, then, is a crazy, bizarre, unsettling work in which a collection of crazy Doors fans co-exist in a club called “L’iguana dei Nebrodi” run by Brunori Sas and the appearance of Isabelle Russinova in a dual role. So, while Madame sings the song that gave the title to the film, and Professor Roberto Vecchioni explains the Italian origin of the Bard, one wants to get lost among the Sicilian legends, perhaps dressed as one of the B. G., and, finally, “plunge into the infinity of the blue splash.”
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