Have you ever seen the same belt on someone who has seen you (or at least knows about it) and feels like you’re experiencing déjà vu? Does what happens in history inevitably regress to another history that is being written down? But because this belt does not distinguish it much from other similar products? Perhaps that’s the case with “Wildflower,” which, given its good intentions, isn’t merely short until it lingers as a copy of a copy.
It is difficult to explain this section without mentioning “La Familia Bélier”/”CODA”, based on the impression that he copies and reads the entire content: from the concept (without changing the tone due to intellectual incompetence), going through the protagonist’s conflict, the development of the narrative and some important plot points require the use of humor and sensible music to achieve a balance between comedy and drama. Only now the narrative is confusing because, given the use of non-voice to explain how Bea led to her real-life situation, the overall storyline is directed by Erica Alexander, who goes through all the envelopes to try to reconstruct what happened. The problem with this decision is that it initially focuses on Bea’s life from her memories, but it seems like they are counting on other people’s lives, which makes her relationship scary. Additionally, turning off the voice proves to be detrimental as it diminishes many of the events happening on the screen.
The intention to combine humor and tragedy, even as they balance the tone of the story, highlights a certain amount of emotional manipulation, whether the father is trying to convince people to believe in Jesus or what his mother’s real name Bea is. favorite cartoon character (most famous movie character). Some of these people laugh and enjoy their role in maintaining the relationship, but also question the sensitivity with which they approach the topic of having two parents who are unable to care for a child due to their mental retardation. . But due to the same voice treatment and the very cursive tone of Matt Smukler’s direction, it oversimplifies the main theme and doesn’t add to the meaning it conveys to the main character.
Anyway Kiernan Shipka cowers like Bee and toasts to the sensible, optimistic and unusually mature act of getting sucked into a parental role that’s older than it should be (because she’s a little too big for the role and turning off her voice doesn’t do her any favors), True in that she is easily overshadowed by the rest of the department, especially Jacki Weaver and Jean Smart as Abuela, and Erica Alexander as the social worker who helps her. Since Dash Mihok and Samantha Hyde (as well as their fathers) were directly influenced by the simplification of the character, it seems that their actions are also caricatured and would easily be written into Sean Penn’s Sam. We take time at the table to encourage them or at least sympathize with them. This is another case where illness or confusion does not fully characterize a person as a person.
Although you can enjoy the moments and spend time together, let your ideas be explored and the general observations regarding the consequences of living in an atypical family will be superficial and even some may think that your thoughts are evasive because although familial love is ah… this seems more of a curse than a benefit, as Bea triumphs after weighing the loss of her father and not thanks to him. Be careful, please be careful.
P.D. If she’s a bad actress, why is it difficult for Alexandra Daddario to get on stage? In our eyes, we were deprived of a good taco!
Tags: Dash MihokErica AlexanderJacki WeaverGene SmartKiernan ShipkaSamantha HydeWildflower