In addition to the album announcement, Agnetha shared the amazing new single “Where Do We Go From Here?”, a previously unreleased track recorded in 2023 and featured on the album, which is Agneta’s first new track as a solo artist. years.
As the album’s 10th anniversary approached, Agnetha and Jørgen talked about what the record would be like if it was made in 2023 and decided to explore the idea together. Agnetha and Jørgen worked together with fellow producer Anton “Hybrid” Mårtensson and completely reinvented the album, removing every song, keeping the original vocals from 2013, throwing out all the old music and creating brand new compositions for 2023, as well as creating a new tracklist. All together with a brand new song “Where Do We Go From Here?”, fully recorded in 2023.
A couple of years ago, I heard on the radio one of the songs from my last album “A”.
I have a lot of good memories of making this album, so I couldn’t help but smile, time flies… It suddenly occurred to me: what would the album be like if we made it today… ? I couldn’t stop thinking about it. I turned to the guys who produced “A” in 2013: “What do you think about reimagining “A” and creating a completely new version of it?”. The idea was very popular! “Let’s try!” Some time later I heard the first reworked song and I must say that I really liked it! It sounded so fresh and modern, even better than I imagined! We called the album A+ and to top it all off we recorded an as yet unreleased song! And this will be the first song that I will let you hear. Now I can’t wait to hear what you think! I hope you enjoy it as much as I do!”
When we recorded album A ten years ago, it was kind of a reaction to the EDM and dance music that dominated the pop world at the time. Then we did something quite the opposite: arranger Peter Nordahl created timeless string arrangements. Today, when we introduced these songs to the music world, we were amazed at how good they sound. The songs blossomed and became the pop songs they were at their core. Anton, who was not on the first recordings, belongs to a different generation and played in completely different rhythms.
The album features Take That’s Gary Barlow’s “I Must’ve Follow You Home” and Agneta’s first self-written track in almost 30 years.”I keep them on the floor next to my bed“. The album received critical acclaim, with the BBC calling it “tasty and luxuriousand the Guardian describing it as “a triumphant return to the beautiful form of the woman we feared forever lost to music”. The album entered the world charts, entering the top ten of the album charts in the UK, Sweden, Belgium, Germany, New Zealand, Holland and other countries.
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