Every morning, CinecittàNews brings you a panorama of the news that the media is following the audiovisual world with.
OPPENGEIMERAN OPPORTUNITY TO REFLECT ON THE NUCLEAR THREAT
Newspapers keep talking about Oppenheimer: on the eve of the release: for the film “Avenir” in its “I dig deep into the soul of a man forced to face absolute evil” offers “an opportunity to reflect on the nuclear threat, which has brought renewed attention to the international movement for atomic disarmament”.
LEONOR SERRAI: FRANCE IS ILLUSIONS ABOUT EQUALITY AND MERITOCRACY
About Lucrezia Ercolani’s interview “Il manifesto” Leonor SerrailFrench director and screenwriter born in 1986, about his second job Two brotherspresented at Cannes and in our cinemas from 31 August. “School is central to the film because it should be the path to fulfillment and freedom. But everything is much more complicated, in France there are illusions about equality and meritocracy.
GIOVANNI VERONESI AND THE “SEATHER FILM FESTIVAL”
Ginevra Barbetti in an interview with Corriere Fiorentino John Veronesiartistic director Marine Film Festival Planned from Thursday 24 in Castiglione della Pescaia: Among guests Isabella Ferrari, Valeria Golino, Gabriele Muccino, Piera de Tassis and Vinicio Capossela. Then a tribute to a great friend Francis Nuti and a film about a prison on nearby Gorgon Island. “Antonio Tibaldi talks about life in a unique prison in the world,” explains Veronesi, “where people seek redemption through work.”.
ANTOINE FUCUA: EQUALIZER 3 THIS IS MY LOVE LETTER TO ITALY
Arianna Finos in an interview with La Repubblica Antoine FuquaDirector Equalizer 3 – No Respitein theaters August 30, filmed in Italy. “I discovered simplicity in your country,” he explains – “This film is my love letter to Italy, to the way cinema is made that has changed my life. It’s fun to do action movies like this, but now I’m looking for something else.”
DE GAETANO: I DREAM OF A FUTURE CINEMA MUSEUM FOR YOUTH
About Miriam Massone’s comprehensive interview for La Stampa. Dominique De Gaetanodirector Cinema Museum of Turin: parents who emigrated from Aspromonte, grew up in the Barrier suburb, punk and musical education between the Sex Pistols and the Clash. “My dream?” he wonders. “Introducing and building a cinema museum of the future, it needs young people”
MIRSAD PURIVATRA: BEING INDEPENDENT IS GREAT
About the “manifesto” correspondent in Sarajevo Christina Picchino interviewed Mirsad PurivatraFounder Sarajevo Film Festivalamong the organizersCinema “First Apollo War” during the siege. “The festival is an important catalyst for a new generation of filmmakers, many boys and girls came to the Apollo during the siege, they decided to make films there” – explains the producer – “Directors like Aida Begić and Jasmila Zbanić started out as volunteers at the festival, they grew up with us. We are proud that in thirty years not a single politician has taken the stage, we have always had a festival only for filmmakers.”.
DEPP V. HEARDFLY THE NETFLIX SERIES, THE IDEA TO MAKE IT A MOVIE
Simonetta Shandiwaski in “La Stampa” dedicates an article Depp vs Heard3-episode mini-series just aired on Netflix took first place in the top ten most viewed on the platform. Dedicated to the most sensational domestic violence debate between the two Hollywood actors from whom it takes its name. “It’s forensic Big Brother broadcast worldwide, which demonstrates the impossibility of shielding social media from courts.” Rock star Alice Cooperold friend Johnny Depp – we read – he would offer the actor to do this reboot War of the Roses.
THE MUNICIPALITY OF ROME AND RECORD INCOMES – AT RISK – FOR KITS
“Il Messaggero” pays special attention to the fees of the municipality of Rome for film sets, which last year exceeded EUR 1,130,000 for the occupation of state land, excluding monuments and archaeological sites: more than 30 million in the last 5 years for 2216 issued permitsbut received in the longest times in Europe: result, and manufacturer’s class action lawsuit which were delivered heavy fines despite having already paid for ZTL permits, “because the Capitol is understaffed.” Interview with the producer also on this topic Paolo Lucarini.