Don’t confuse it with “The Continental”, that Iberian version of “Peaky Blinders” that lasted through sad times. The Este Continental is a famous hotel from the saga with the unstoppable John Wick, located in New York, whose dwellings are home to many asesinos, who unscrupulously store their weapons at the entrance to a bright enclosure to avoid scandal amid so much crime and such carnage. “The Continental: From the Universe of John Wick” – in its title it explains where the celebration came from, in which it is no longer possible to participate – is presented as a serialized sequence of the bloody travails of the legendary film engraved in the series by the fireproof Keanu Reeves. Here I must tell the producers of the first story that the simple story of the story, with a precise plot, should become one of the juiciest French stories over time. The fourth chapter, tastefully staged by Matanza, worked wonderfully in the game, unlike the real battles of Mission: Impossible: Death Sentence. Part 1″, the latest Indiana Jones game or most recent Marvel or DC games. It features a couple of mind-blowing scenes, an exchange of players taking out bullets on a roundabout in Paris, and a downtown demolition plan that mimics a video game where the evil king of the feature destroys his enemies by shooting them with an incendiary shotgun. Pure fuego.
Continental is an atypical series produced by Prime Video, probably the platform that currently has the most pasta to watch (Is Amazon the Great Herman?). The offering consists of only three episodes, similar to some cult British series, including Sherlock with Benedict Cumberbatch and Martin Freeman. The trio of films, approximately 80-90 minutes long, are broadcast weekly just like in the old days to the delight of fans of gory, undead murders. The first film introduces the audience to the characters and introduces them to the case through an action sequence, starting with the exit from the hipo, looking at the aesthetics, visual effects and camera movements of the original material. Between a transitional chapter that’s slow in pace, the ending is apocalyptic with a good feel: a series of bulls and whistles at the peak of the films you’re familiar with, albeit with less intensity due to the inevitable TV touch. The history of this ultra-violent festival doesn’t really matter as long as it can record whatever sequels are currently happening in order to capitalize on some surprise hit. With a more modest production than its predecessor, they see the light of day right in the halls of the video club. Now there are platforms that people explore this way.
Franquicia incansable del ojo por ojo has enough humor in “Continental” that we finally know in advance to forgive its improbability. There’s a movie called Hotel Artemis with Jodie Foster that started out as an original idea for the John Wick universe. At that time it was a hospital for criminals, the rules of which were suspiciously similar. Potential audiences did not like him due to his lack of charisma. Divided into three parts, the spin-off centers on the character of Winston Scott, played by Ian McShane in the theatrical releases and by Colin Woodell (The Purge) in the Prime Video series. Current accounts were in the 70s, four years ago. Working Your Ass is Chad Stahelski, director of four films starring Reeves. Albert Hughes (“Desde el Infierno”) directs the first and third episodes, and Charlotte Brändström (“Señor de los anillos: Los anillos de poder”) directs the second. Pay attention to the difference in both aspects and the absence of the creator of the main saga (and the same Reeves). Veteran Mel Gibson will play series villain Cormac O’Connor, who returns to the stage. Ayomide Adegun brings youth to Charon, the hotel’s assistant manager, the irreplaceable man protected by the hapless Lance Reddick. Destaku, the new implacable assassin, Yen, was played, leaving her skin, by Nhung Kate, seen in “Bitcoin Heist.”
Mel Gibson is the villain of the series.
LCD
The boom of the 90s.
In 2014, attention was drawn to a relatively modest production that, oddly enough, had never been shown in regular exhibition halls. John Wick was a mouth-watering story starring Keanu Reeves, an actor who has no doubt been resurrected to be the ultimate action hero, without the need for incredible muscles to show off his gun-handling and martial arts skills. In the name of an irreconcilable murderer, removed from circulation by conviction, forced to take the path of death out of principle, he manages to find an undeniable solution. Not since the boom of Eastern filmmakers like John Woo in the 1990s, who once took the genre into the air, has there been a phenomenon with such characteristics in mainstream commercial cinema. The choreography of violence with explicit scenes, including picturesque blood bites and seso, is a fundamental part of the result of a continuous cult work, with much more staging, in crescendo, if they were practiced later to the end.
Along with The Raid, dubbed “Redada asesina” in these pages, John Wick is the best thing to ever happen in an action movie. Aesthetic care, both in artistic production and on stage, in France is an important factor in understanding the good reception of this gleeful neo-western, inspired by action specialist Chad Stahelski, who is able to impress with the delightful tone of the dark story. , imbued with dark humor, in Baile de Mamporros. John Wick is the Harry Potter of Asesinos. There are a number of rules that complement each other. There are places where you can’t shoot a revolver. Contrato asesinos also have their own sanctuary. The description of the Alta Mesa secret society, with its own rules and iconography, which runs criminal circles among the shadows, gives the group a necessary aura of unrealism. Matar is one of the beautiful arts. Pure catharsis.
Vic the Slayer’s bloody adventures end with new characters. If there’s one thing that characterizes this subject, it’s your ability to not seriously commit to something like this. The Wikiverse is a reality, a world like ours, where criminal organizations have their own codes, in an alliance that ranges from simple to bizarre situations. You’re starring in the film Ballerina, the new film in the lineup starring Ana de Armas. “Continental” of course has a rich soundtrack, including themes from Wire, James Brown, Baccarat, Baby Huey or Nilsson.