Texas Chainsaw 3D Was an Outdated Sequel Before It Was Cool

Continuity The Texas Chainsaw Massacre The series is a twisty affair even by horror standards. In the nearly 50 years since Leatherface and his family debuted, we’ve had one remake, two prequels, and three different movie sequels spread across nine films. It’s easy for viewers and filmmakers to get a little lost. Sometimes too many restarts just bog things down and leave everyone scratching their heads.

Texas Chainsaw 3Dthe seventh film in the series, it was a slight departure from the rest of the franchise and marked the end of one of several lulls in new films. Chainsaw movie. The Platinum Dunes-era films, including the now fan-favorite 2003 remake, have come and gone, seven years have passed, and the new film has been given the opportunity to forge its own path thanks to new producers and a bit of distance from the previous one. installment plan So, the film did what many horror viewers would recognize much more clearly now, but didn’t necessarily immediately understand for what it was back then: continue a legacy.

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It works? Well, not 100% of the time, but when he really digs deep into his personal sandbox, Texas Chainsaw 3D — now streaming on Peacock — is one of the most rewarding experiences in the entire franchise.

Why now is a great time to revisit Texas Chainsaw 3Dstreaming now on Peacock

The scheme is simple: back in 1974, local townspeople exterminated the Sawyer family for their crimes, burned down the farmhouse where Leatherface committed his atrocities, and then simply moved on, saving only one baby from the carnage. Years later, a small-town butcher named Heather (Alexandra Daddario) receives a letter informing her that she is in fact adopted and that her late grandmother left her an inheritance of a sprawling country mansion. So Heather and her friends pack up the car to test it out, unaware that Leatherface is not only still alive, but has been hiding in the basement of the house for decades.

The dated sequel setup is already pretty noticeable, and I’m willing to bet you can guess where the rest of it is going once the film starts to unravel the strange history of Heather’s inheritance. It’s a great setup for this kind of movie: ignore the other sequels and just move forward with a story that presents Leatherface as some sort of lost legend, buried by time and locals and becoming something that was whispered about. The film then shows that he is not lost. He waits, and when he is released, he will pick up where he left off.

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To make things more interesting, the film takes this powerful idea and puts it into a narrative that essentially begins the same way as the original, with the story of a group of teenagers having a good time on a road trip and then going to a party. in the country. The echoes are intentional, but they in no way detract from the effectiveness of the formula. The ensemble cast is having a good time with this production as the walls close in and things get going. However, the real secret to the film’s success lies in Daddario, who plunges into maddening horror and then gradually begins to transform Heather’s understanding of the evil world she was born into until she begins to understand what Leatherface has been through, and perhaps even thinking about taking it…

However, the film is certainly far from a perfect continuation of the legacy. The atmosphere is there, but the pacing doesn’t always match it, the characters aren’t as well-rounded as we always wanted (with the exception of Heather, anyway), and the film’s attempts to emulate the original sometimes only serve to remind us that there are better versions of this story out there. that are just waiting for us to watch them. But despite these pitfalls, there’s still a lot to love here. Texas Chainsaw 3D. It’s a sequel legacy from before these films started popping up around the horror world, and even if it sometimes misses the mark, this strange subgenre has a lot to say to deserve your attention and even your enjoyment.

Texas Chainsaw 3D is now streaming on Peacock.

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